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Where Kids Become Directors and Artists
HELP US BRING THIS PROJECT TO LIFE
BY ORDERING THE ZERO ISSUE
OR SUBSCRIBING.

RERAL CARTOONS MADE AT HOME
BY KIDS

Read the story. Cut the characters.
Film your own cartoon.

A screen-free animation kit with ready stories, cut-out characters and simple filming guides

A SCREEN-FREE ANIMATION KIT
FOR KIDS AGED 8–12.

READ THE STORY. CUT THE CHARACTERS.
FILM YOUR OWN CARTOON

Babiling Animation Kit

This is what kids actually create with Babiling

Click To Watch
Babiling and Dragon's Heads. Prologue
Click To Watch
Heracles and Antaeus. The Secret of the Giant

Create a real animated cartoon in 1–2 hours — no prior experience needed.


From idea
to animated movie


What’s the Movie About?​

shooting tools for smartphones

stories

characters

shooting backgrounds

stencils for making titles

poster templates

and even tickets for the premiere

Designed to help children aged 8–12 create animated films from scratch to premiere, even with no prior filmmaking experience.
Create ready-to-shoot, 1-minute-long creative cartoons — not in weeks, but in just 1–2 hours.

Babiling Animation Kit is designed to help children aged 8–12 create animated films — from idea to premiere — even with no prior filmmaking experience.

Animation Box of SpeachKey project, Polina Tronchik

shooting tools for smartphones

stories

characters

shooting backgrounds

stencils for making titles

poster templates

and even tickets for the premiere

How to Make Cartoons with the Babiling Kit

5 Steps from Idea to Premiere

01   Choose a story from the Babiling Animation Kit magazine to film (script, storyboard)
02  Prepare your characters and locations (cut them out of the magazine).
03  Start filming (a smartphone and a free app are all you need).
04  Make a poster and premiere tickets (use the templates).
05  Upload to the platform, host an online premiere, and share your cartoon with friends.

5 Steps from Idea to Premiere

01    Choose a ready-made story
02   Cut out characters
03   Film on your phone
04  Create a poster
05   Premiere with friends

Action!

Your backgrounds become interiors and locations.
Your paper figures are the actors.

Lights! Camera! Action!

Look up what’s inside

Unpacking the Babiling Animation Kit

Children choose how complex their project will be. They can start with simple scenes or move toward full short films — depending on time and ambition. The recommended path begins with sketches and grows into episodes and complete stories.
The first issues introduce Babiling, the royal jester, and show why being heroic can be fun. With each new issue, readers continue the story and gradually create a full animated series — with dragons, knights, princesses, and tournaments.
First, decide which story you want to film. You can create a simple sketch or a full short animated film — depending on how much time you want to spend.
It’s best to start with short scenes and move toward full episodes.
In the first issues, the fairy tale introduces Babiling, the royal jester, and shows why being heroic is fun. With each new issue, readers can gradually create a full animated series — with dragons, knights, princesses, and tournaments.


Sketches for every taste

5-геракл_и_антей1
Babiling_ENG_1310_Mermaid-преобразовано-из-pdf
Frame 219
5-геракл_и_антей1

Мyth anthology

Heroes from world myths come to life through stop motion. Ancient legends become short animated films created by young directors — from heroic feats to playful adventures.

Heroes from world myths come to life through stop motion.

Babiling_ENG_1310_Mermaid-преобразовано-из-pdf

Once Upon a…

Classic fairy tales retold by the reader.

Children animate familiar characters and freely reinvent well-known stories in their own visual language.

Classic fairy tales retold by the reader.

Frame 219

A Hero in a Bind

Unexpected adventures for literary and pop culture characters.

Stories where familiar heroes face situations even their authors never imagined.
Unexpected adventures for literary and pop-culture characters.

Each story includes a storyboard — sometimes carefully drawn by professional artists, sometimes deliberately unfinished. Some frames are complete, others invite intervention, improvisation, and risk.

Here the young director steps in: rethinks the scene, changes rhythm, redraws the ending, or invents a new one.

Each story comes with its own storyboard — sometimes carefully sketched by professional artists, sometimes deliberately unfinished. Some frames are complete, others leave space for intervention, improvisation, and risk.

This is where the young director steps in: rethinks the scene, redraws the rhythm, changes the ending, or invents a new one altogether. Working with a storyboard here is less about following instructions and more about thinking in images, sequences, and cuts — like creating a comic strip that insists on being filmed.

Each story includes its own set of actors, along with facial expressions to make emotions vivid and expressive.

Each story comes with its own set of characters and facial expressions, allowing emotions to look vivid and expressive on screen.

Each scene includes backgrounds, buildings, and interior props. Furniture and decor elements can be easily assembled by punching them out of the magazine.

Every scene includes its own setting — backgrounds, buildings, and interior props.

Each story includes a storyboard — sometimes carefully drawn by professional artists, sometimes deliberately unfinished. Some frames are complete, others invite intervention, improvisation, and risk.

Here the young director steps in: rethinks the scene, changes rhythm, redraws the ending, or invents a new one.

Each story comes with its own storyboard — sometimes carefully sketched by professional artists, sometimes deliberately unfinished. Some frames are complete, others leave space for intervention, improvisation, and risk.

This is where the young director steps in: rethinks the scene, redraws the rhythm, changes the ending, or invents a new one altogether. Working with a storyboard here is less about following instructions and more about thinking in images, sequences, and cuts — like creating a comic strip that insists on being filmed.

Each story includes its own set of actors, along with facial expressions to make emotions vivid and expressive.

Each story comes with its own set of characters and facial expressions, allowing emotions to look vivid and expressive on screen.

Each scene includes backgrounds, buildings, and interior props. Furniture and decor elements can be easily assembled by punching them out of the magazine.

Every scene includes its own setting — backgrounds, buildings, and interior props.

Ani-Babiling Platform and Community

Premiere Screening and Festival Future

Every finished cartoon deserves a premiere. Watch it together, discuss it, and let it live beyond the table where it was filmed — online, with other young directors, future collaborators, and festival audiences.

The Community

Babiling is not just a magazine, but a shared creative space. Subscribers get access to visual templates, studio tools, and online spaces where cartoons are uploaded, discussed, and sometimes continued together.

Ani-Babiling. Contests

Regular creative contests invite young directors to rethink stories, mix worlds, and propose their own endings — playful, bold, or unexpected.
“Open Ending”
Original developments and alternative endings to published stories.
“Ba-La-Gan!”
Creative mash-ups of characters, genres, and visual worlds.
"Beyond the Horizon"
Short films where children explore scientific, environmental, and social themes through animation.
"Not Just Halloween"
Animated stories about holidays and traditions from different countries.

The Community

Babiling is not just a magazine, but a shared creative space. Subscribers get access to visual templates, studio tools, and online spaces where cartoons are uploaded, discussed, and sometimes continued together.

Babiling Contests

Regular creative contests invite young directors to rethink stories, mix worlds, and propose their own endings — playful, bold, or unexpected.


REMOTE TO CARTOON

A practical section on stop-motion filming techniques, tools, and creative approaches

  • The Animation Machine

    Different animation techniques seen through real examples.

    Time to Transform

    How animated characters change across eras and styles.

    Moving Through Genres

    From fairy tales to anime, Lego worlds, and beyond.
  • Key Frame
    Filming and editing tips from professional animators.
    Workload Chart
    New tools, apps, and practical reviews.
    Keeping the Pace
    Subscriber Tips and Lifehacks.
  • List Content

Inside Stop Motion

Different animation techniques explained through real examples, character histories, and genres — from fairy tales to anime and Lego worlds.

Tutorial

Practical filming tips, software reviews, and lifehacks shared by professional animators and subscribers.


Play That Becomes a Movie

пьер аронакс
5-Осминог
пьер аронакс

Screen-Reducing Entertainment

A screen-free activity that doesn’t feel like a “break from screens.”
Kids make something real with their hands — and then bring it to life on camera.

What Your Child Gets Out of It

A clear, do-able project that ends with a result you can actually watch. It works for solo play or a shared family activity — and it fits clubs, camps, and classrooms when you need it to.

Who Is the Babiling Animation Kit For

Who Is the Babiling Animation Kit For

For kids aged 8–12 who like stories, drawing, craft, Lego-logic, or “let me try it my way.” For parents who want a calm, structured creative activity. And yes — it also fits English-learning families and after-school groups, but it’s designed to work at home first.

For kids aged 8–12 who like stories, drawing, craft, Lego-logic, or “let me try it my way.” For parents who want a calm, structured creative activity. And yes — it also fits English-learning families and after-school groups, but it’s designed to work at home first.

5-Осминог

Working with Analog Imagery

Everything begins on paper: characters, props, backgrounds — tangible stuff kids can arrange and re-arrange. The phone is just the camera: a simple tool to capture what they already built.

OUR FOCUS GROUP

“That’s How I See It!”

Below, Eric-Marc is filming his own version of the story about Babiling, the royal jester. He came up with an idea of his own for how to show the dragon stealing a frightened courtier straight from the throne room. Eric-Marc is using a simple ring light with a smartphone holder to shoot his film.
Sisters Rosa, Emma and Maya Tronchyk are creating their own story from the Babiling Kit. They began with the Little Mermaid tale. Girls are filming with a Portable Animation Studio SpeechKey Box. The children spent about two hours cutting out the characters and filming their scenes.
Each story turned out completely different and that’s the most exciting part. Eric-Marc and Rosa, Emma and Maya lives in different contries, but they are friends. And just like real directors, they compare their films, talk about their ideas, and learn from one another.
Children don’t follow one script — they create their own versions. Eric-Marc films with a smartphone and simple light. Sisters Rosa, Emma and Maya Tronchyk began with the Little Mermaid tale. Girls are filming with a Portable Animation Studio SpeechKey Box. Living in different countries, they stay friends — sharing ideas like real directors.

Get the Kit — and make your first cartoon today

Choose a digital or print edition of the Kit —
the print version also includes a digital PDF.
Or make a donation to help us develop
the project.

Choose a digital or print edition
of the Kit — the print version also includes a digital PDF.
Or make a donation to help us develop the project.

Digital Subscription

€ 29,99

3 Issues

Get the next three PDF issues of the Babiling Animation Kit.

Perfect for early readers who prefer digital content.

You save 50% compared to buying single issues individually.

Huge Support

€ 39,99

+ Print & Digital First Issue

A printed copy of the Babiling Animation Kit – Issue Zero (pre-order)

A digital (PDF) copy as well

A subscriber’s survey: take part in shaping the identity and creative direction of our new magazine.

Monthly Support

€ 6,99

/ per month

Become a sustaining supporter!

Your monthly contribution helps us produce new educational stop-motion content and develop the Babiling Animation Kit.

Super Supporter

€ 69,99

For those who want to support our launch in a truly meaningful way.

Printed copy of Issue Zero (pre-order)

Digital (PDF) copy

A 1-year digital subscription (6 PDF issues)

You save €66 compared to the full price.

Founding Supporter Pack

€ 129.99

+ Early Bird Special

Everything from the previous tiers

Full 2026 subscription: minimum 6 print issues (124 pages each)

Includes 24 complete Stop-Motion filming sets inside the magazine

24 complete Stop-Motion set kits inside the magazine

Digital Issue

€ 6,99

A digital (PDF) copy of the Babiling Animation Kit – Issue Zero

74 full-colour pages

5 original stories

characters & backgrounds ready for paper-cut stop-motion filmmaking

Print & Digital Issue

€ 39,99

A printed copy of the Babiling Animation Kit – Issue Zero (pre-order)

A digital (PDF) copy as well

74 full-colour pages

5 original stories

characters & backgrounds ready for paper-cut stop-motion filmmaking

Coffee Support

€ 5

Animation has no age limit.

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